Kid Cudi’s back on in his solo (dolo) lane, dropping off what could be material from Man on the Moon III, or possibly just some new material for the fun of it. After the successful WZRD experiment, he’s back to rapping on this one, coming through with a stop-start, stuttered flow that packs in some decent lyrical work, combining a little introspection with some eccentricity for a nice blend of content. Cudi’s also helmed the production on this one, serving up a beat with a slightly dark yet lively nature, as dramatic synth work accompanies bouncy bass work for a production that doesn’t nail itself to any particular genre. The raps match the alternative stylings of this difficult production well, and most Cudi fans will enjoy this one.
If you enjoyed Cudi’s recent work as a part of WZRD, you’ll definitely appreciate this brand new effort from the upcoming Hunger Games soundtrack.
Dark, grungy and packed with an eerie, ominous quality that makes for a very addictive listen throughout, this is certainly an effort that deserves to soundtrack the film its set to. The track opens with a thudding percussion and sharp guitar work, creating an edgy and almost industrial feel, whilst Cudi’s hook furthers that by virtue of capturing the film’s dystopian vibe with some controlling lyrics. The verse work is melodic and delivered in a menacing manner that wraps around the instrumental nicely, and essentially serves its purpose of building to the hypnotising hook. A creepy, disturbed effort that definitely captures the essence of the film its made for.
As Indi’s excellent Tweet review recently suggested, this is truly one of the standout tracks from Kid Cudi and Dot Da Genius’ recent collaboration album, and probably one of the better tracks from any artist in recent months.
It’s been a short while since I’ve seen Cudi do a TV performance (or a live piece in general), and what’s immediately noticeable is the significant improvement in his singing. His vocal work is solid from start to finish, and on the very rare occasions that he’s under threat of missing a note, he improvises far better than he was once capable of by throwing together some good harmonies.
His stage presence is great as per usual too, and whilst the performance lacks that infectious Kid Cudi energy, that’s primarily down to the style of song rather than any deterioration in his performing skills. It’s a good watch and a very good rendition of what is an excellent song. Grab the song and album on iTunes now.
We’ve seen many weekly series come and go here at OTU, but it’s been a while since we’ve launched a new one, which frankly isn’t in keeping with our ‘we do things differently’ mantra.
That would be the marketing spin on this. The truth is, the thought occurred to me that as modern-day music listeners, we consume so much music on a daily and weekly basis that there have become two clear pools of choice when picking something to listen to: either a classic, old-school track or something relatively new. “What’s wrong with that?”, I hear you cry. “The vast middle in between those two”, I reply.
There are countless songs that lie in that grey area of being a little old, but nowhere near aged enough to be considered ‘classic’, and often they get overlooked. Several tracks may have been ‘ahead of their time’, and you’ll find them an almost brand new listen in today’s climate, or it may simply be revisiting an excellent track to recrete that ‘first time’ feel once again. Welcome to your friendly reminder of tracks we may have once loved (or even completely ignored), and enjoy the fresh yet familiar feeling that accompanies each one.
OTU’s live Twitter album reviews makes a return here in 2012, and what better way to kick it back off again than with Kid Cudi’s and Dot Da Genius’ ambitious WZRD album?
Never one to conform to the perceptions people have on him, Kid Cudi continues to create the music he wants to make, which at the end of the day is what artistry is all about.
Click on below to read what has already been written on the OTU live Twitter feed, each track reviewed within the 140 character limit!
We’ve heard snippets, previews and so forth of this track for years now, and with the WZRD album on the horizon (28th February), Dot Da Genius lets one of his comrade’s most sought-after tracks go.
This is pretty much the old school Kid Cudi sound that charmed everyone back in 2008, and that’s never a bad thing. The production is soft, somewhat ethereal and generally boasting a laidback quality that gives it a real affable quality, whilst its blend with Cudi’s freeform hybrid of singing and rapping strongly harks back to the A Kid Named Cudi mixtape. A very easy listen, and one Cudi’s fans will be clamouring for.
“MANIAC is a short film inspired by the song. It is not a music video and it has no reference to the song content. It will be scored by Dot and I as a film with all new music. Directed By Shia LaBeouf for Grassy Slope and Ragin4Dayz Productions.”
As someone who shies away from senseless acts of violence, murder and gore, this short film is one of the most disturbing videos I’ve seen in a while. Cudi and his friend go about committing random murders whilst having a camera crew document their ‘adventures’. There’s no reasoning for each or any murder, just many squeamishly aggressive and unapologetic killings.
I’m not sure what the point of all this is, but as a massive fan of How To Make It in America, I’m really digging Cudi on his acting tip.
Excavated from those proverbial vaults that throw up gems from time-to-time, we’re treated to a track from 2007 that would have slotted in comfortably on Cudi’s phenomenal A Kid Named Cudi. No mean feat, given the mixtapes status as arguably one of the finest mixtapes in recent years.
Produced by frequent collaborator Emile (who I believe Cudi has since seperated from), the track boasts that slow, atmospheric production that was a trademark of his earlier material, throwing spacey synths and electronic melodies/samples together for an effective beat. Cudi’s leftfield lyricism comes packed in the trademark singing/rapping hybrid, and that output allies with the beat for an introspective yet accessible track that ranks as one of his better ‘unreleased’ efforts to have surfaced. A welcome reminder of the quality Cudi can produce.
It’s been 3 years in the making, but finally Cudi and Wale come together for a brand new collaboration. Their last work was on Cudi’s breakout A Kid Named Cudi mixtape, and they’ve since had their personal issues with one another, but it’s good to see two guys who rose up almost simultaneously rekindle their relationship here.
The track itself is a solid, if unspectacular one. Cudi’s contribution is confined to a distorted set of vocals on the hook, and though it’s an enjoyable, uplifting hook, you can’t help but wish for a little more. Wale’s verses are decent throughout, and alongside a midtempo, motivational production make for a good listen, though something with a little more verve and energy would have done justice to this reunion.
He’s been significantly more active in recent weeks, and though this video comes almost a year after the single’s release, it’s Kid Cudi’s finest to date.
The video opens with Cudi forcing his way into a building, only to find loneliness and isolation, a representation of his battle for fame and the resulting issues he faced on getting that access. He’s soon met by a fire that forces him to run, only to find himself surrounded by countless folk ready to attack him: Cudi’s past battle with addictions and the resulting mass media ridicule springs to mind here. That message continues as the video moves into an action scene, with the frenetic pace and Cudi’s desperate attempts to push back against the hordes of attackers being executed very smoothly and aptly to maintain the underlying message.
A very brief cameo you might miss is Kanye West at around 4:20, as Cudi swings for him and misses-could this be indicative of a previous strife? Shortly afterwards, the first female of the video throws dirt in Cudi’s eyes, a potential representation of a relationship gone awry, before the video reaches a predicatable conclusion as the character seen circling throughout is Cudi himself, who ends the days of ‘Mr. Rager’. Whilst it’s disappointing that the video ends with it ‘being a dream’, it’s an otherwise captivating video that adds real depth to an already-enjoyable song.
I owe you all an apology. When I got my hands on this track back in July, it seems I enjoyed it so much that I quite simply forgot to share it with you.
A fantastic blend of pop, alternative and hip-hop, the track feels like one of the better collaborations released this year, largely thanks to the effortless synergy on show here, with Cudi and The Knux are almost stylistically indistinguishable from one another. Their respective crossover styles blend seamlessly throughout, as a soundscape of addictive guitars, crashing percussion, solid verses and a frighteningly-addictive hook deliver an upbeat, genre-defying track.
The energetic video works well for the track, enhancing that synergy by presenting the collaboration as an entire band, amidst scenes of the leading lady going about her day of doing drugs, not paying for taxis and raving with The Knux. Worth a watch, and definitely worth a listen.
It’s been a little while since we had some substantial material from Cudi, and with the disappointment that was his second album, it’s fair to say that he’s lost an awful lot of the momentum he had almost exactly 2 years ago.
However, Cudi shows a real return to form here with the lead single from the upcoming Fright Night film soundtrack. The track opens up with a dark blend of violins and spiky guitars, and is soon met by a slow percussion that adds an ominous vibe, with the overall combination giving the track a nightmarish style that would have slotted in perfectly on his superb debut album. Cudi brings moany, isolated harmonies to the track, keeping things relatively simple and intertwining brilliantly with the production to enhance that eerie yet edgy atmosphere.
The video itself tells a great story, as Cudi progressively expresses his unease alongside the escalating horror in the video, followed by the ‘revelation’ that he himself is to be feared, concluding with the regret of his actions. A superb video that utilises the aura of the audio very well. More like this please!
“On My Own” was recorded over a year ago and was initially slated to appear on Consequence’s “Cons TV” project. A snippet of the track was released awhile ago and it generated quite the buzz, so as a thank you to his fans for their continued support; Consequence offers up “On My Own.”
Very solid jam from the former G.O.O.D. Music labelmates. Cons brings some decent verses to the table, bringing forth somewhat isolating, defiant raps that have a definite bitterness about them, with the target of the raps likely to be his former label boss, one Kanye West. Cudi does a good job on hook duty here, dropping off a nice melodic chorus to complement the easygoing, positive production. Worth a listen.
The timing of this video is certainly interesting, given the recent release of his marking a ‘move forward’ in his career, and hence offering the first piece of material since Cudi’s renouncement of drugs. As a result, it’s wouldn’t be entirely unfounded to view this video as the last relic of what once was.
That’s not to say I’m not pleased with this being released of course, given that it was one of (if not the primary) standout tracks on his second album. However, the video is a little disappointing as it plays upon the aspect of the song that captivated me the least: the shenanigans and craziness that takes place when high. Given the dark, moody nature of the beat, it would undoubtedly have been better to see something that at least partially reflected that key aspect of the song, and hence this feels a little unfulfilling from someone of his artistic ability.
Aside from that thematic issue, it is a relatively entertaining video with lots of behind-the-scenes footage, all delivered through a hazy filter to enhance that marijuana ‘influence’. Solid, but could and should have been a lot more.
It’s been a while since we heard from Cud, though there’s been a little bit going on in recent months that you may/may not be aware of: his next album is not going to be released on GOOD Music, but on his own newly-formed Wicked Awesome Records. It’s slated to be a rock album by himself and longtime collaborator Dot Da Genius, under the guise of 2 Be Continuum. He’s also given up all of the drugs etc., and is now apparently living clean and sober. I may be getting a little mixed up, but I think that’s all of it!
This track, produced by Dot, marks his ‘moving forward’ and ‘evolving’, and he seems to be moving into that rock/alternative edge that he mentions here. I’m not convinced its the right style of alternative/rock for him, as he’s far more harmonic than this somewhat jagged track, but it does come together fairly well at certain points with his vocals blending nicely with the thick guitar licks. Perfect isn’t the word here sadly, but it may grow on me and regardless he deserves credit for switching things up.
‘capcom was done early last year for a project chad hugo and kenna were working on for a Street Fighter game and they reached out and asked me to be a part of it. This was a demo reference and i never really got to rework my verses or see the project through.’
Little backstory from Cud there, with this one being out of the vaults. Very enjoyable track too, with an intense and triumphant production that really suits Cudi style. The layered beat certainly makes for enjoyable listening, switching from the aforementioned triumphant quality in the hook to a pounding, hip-hop style for the verses. Cudi’s raw, melodic style is in full-flight on the hook, which is both catchy and motivational: the sort of blend that you really can’t dislike.
At the SXSW festival in Texas (which may I add, sounds like it’s been a brilliant festival for hip hop!), Kanye and the rest of his GOOD Music clan tore up the stage with probably my favourite track from the GOOD Friday weekly drops.
I had actually forgotten how immense this song was! Kanye sounds the best in this video out of these guys, though I was a little disappointed with Cudi’s performance in this. Having seen him live, I know he has a much better presence with the microphone, so I can only assume there was a problem with the sound levels on his mic.
Quite easily my favourite track on Ye’s My Beautiful Dark Twisted Fantasy, the video has been anticipated for weeks and finally, the Hype Williams directed video has arrived for Yeezy’s amazing All Of The Lights.
Amidst a flurry of epilepsy-inducing flashing fonts, we’re taken on the story of a lonely girl wandering around the ghetto alone through the night. Whilst this happens, the father abuses her mother and gets imprisoned as a result, only to find someone else in his bed upon his return, for which he exacts revenge. Quite a worrying, yet harshly true picture of modern life for some people.
It’s done fantastically well and manages to capture both sides of the track: the story above (told in the verses), and also the euphoric, triumphant feel the instrumentals and hook combine to emanate, highlighting the schizophrenic nature of the track. It’s just a shame it sounds like it ends too sharply after cutting Fergie’s verse out.
Very enjoyable collaboration here from two co-stars of How To Make It In America, and one that will definitely appeal to the OTU readers for its diversity.
It’s a fantastically easy listen, with the instrumental accompaniment reduced to nothing more than an acoustic backdrop, giving the song a laidback, mellow feel. Greenberg’s relaxed vocals further enhance those vibes, playing off the minimal backdrop with some bittersweet vocals that compliment the similarly-themed vocals. Cudi comes through with a good contribution too, with a captivating and superbly delivered verse, as well as some backing vocals that match Bryan’s style perfectly. Great bit of acoustic music right here, definitely one to check out. Shouts to the GWHH boys on the find!
Visuals for one of the better tracks from Cudi’s sophomore effort. Largely comprised of footage from a documentary that came with the deluxe edition of the album, the video makes for decent viewing with a mixture of live show footage and Cudi living everyday life.
Cudi’s personality seems to have come under attack in recent months, but videos like this certainly reaffirm that he’s a relaxed, funny guy who seems to enjoy what he’s doing. Whilst on first listen I was disappointed with his recent album, visuals like this alter my perspective a little and give the project a more wholesome feel.
I can’t say I was too excited about T.I.’s upcoming No Mercy album, but the fantastic Eminem collabo and now this new leak which features two of my favourite artists in Kanye and Cudi…well let’s just say my enthusiasm for this album has increased ten-fold.
Cudi delivers what seems to now be a trademark chorus and T.I. comes through with some brash lyrics as you’d expect. It’s Kanye’s verse that really makes this track though, particularly the pure passion and anger you hear in his voice as he raps about how rappers like T.I. and Lil’ Wayne have been targeted & locked up. You can tell it’s a subject that troubles him, as he’s no stranger to being targeted himself (from the media, rather than the authorities!). The beat on this is just perfect, as it completely sets the dark atmosphere that the Cudi hook and Kanye’s verse are trying to portray. One line that really stands out from Kanye’s verse:
“People ask me sh*t about illuminati, first off – f*** that mean!?”
Only a short clip of the interview sadly, but Cudi was the latest guest on the Blink-182 star’s ‘chat’ show.
Does anyone over here in the UK know how we can watch A Different Spin (the name of Mark Hoppus’ show)? By all accounts, it’s been pretty decent and Mark is undoubtedly hilarious, which should make for a good TV show!
Very short, but very intense! The horror theme that was evident in the album posters carries over here, with a creepy look into what the album will be like. Screams, blood, body parts and a stalkerish Kid Cudi will certainly get your attention, and have got me eagerly anticipated that November 22nd release date (yes, I’m fully aware of its ‘availability’ online…).
The most eclectic line-up since the inception of G.O.O.D. Fridays? It has to be up there.
Pete Rock serves up a deep, booming and atmospheric production that will definitely satisfy the hip-hop heads: it’s all about thick bass, pounding percussion and soul samples. It has to be said that Jay seems to have really upped his game on these GOOD Friday tracks, and both him and Kanye do decent jobs on verse duty, whilst Charlie Wilson and Cudi only really provide background vocals.
From top to bottom this is unquestionably a hip-hop track, and not the usual genre crossover you tend to find with ‘Ye’s material. Very replayable.
I’ve been generally unimpressed by the leaks/releases from his upcoming sophomore album thus far (with the exception of Mr. Rager) and whilst the title belies the lonesome and atmospheric nature of this track, this is the Cudi I’ve waited for.
One thing that always increases my interest in music is its synergy with the supporting media, whether that’s video or artwork: this track is perfect for the album art, enabling you to step into the picture and enhance the connection with the music. The melancholy production plays the biggest part in that, as the haunting choir vocals and wistful piano melodies combine a multitude of sombre mental images with the isolated feel of the album art. Cudi’s vocals are at their harmonic best, and his raw, grainy delivery meshes with the production to create an honest and emotionally involving track. A must-download.
So we finally have a tracklisting for this much anticipated sophomore album from Cudders.
My thoughts? Perhaps too many ‘old’ tracks. By old tracks I mean tracks that were leaked months ago. But it is good to see a definitive tracklist, it means the album is well on its way!
Artwork to this album is to the left here and you can peep the tracklisting by clicking below.
Minaj’s is typically insane, depicting her with no arms and extra long legs. It’s still quite likeable though, and her trademark pink is nicely represented through the various tones.
Really like the lonely, desolate central figure of Cudi in his artwork, especially when juxtaposed against the illuminated, busy and vibrant starlight background. Great use of opposite associations to signify Cudi’s schizophernic musical stylings.
Should have posted this the other day when it dropped, but it seemingly slipped my mind.
Rumoured to be a track off his upcoming Man On The Moon II album, this has that classic Kid Cudi mental-ness and diversity with his music that somehow just works.
Difficult to explain when I’ve had just 4 hours sleep, so just take my word for it and download, yeah?
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