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And the second Shady/Royce collaboration to get visual treatment is also released today, this time for the much more mellow Lighters track that featured on their Bad Meets Evil EP.
Not really a fan of this track, mostly because Bruno Mars’ chorus here annoys me too much. However both verses on this are great, if you can look past the chorus (and poptakular beat).
It is a track that was hugely successful commercially, so maybe I’m in the minority when I say I’m not big on this song!
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Much anticipated visuals from the highly anticipated Hell: The Sequel EP from Eminem and Royce Da 5’9″. The track itself ws accurately summated by Murray, with ‘razor-sharp, tongue-twisting, triple-time lyricism from two emcee’s back on top’, over a solid and unobtrusive production.
Unfortunately, the video just doesn’t match up. Whilst the animated/visual lyrics style of videos works for some artists, it just feels completely incongruent with both the song itself and the somewhat ‘serious’ (for the most part) nature of each artist. The effects are massively overused and consequentially reduce the song to a secondary factor behind an ill-thought out cartoon, adding a playful quality that doesn’t juxtapose favourably with the lyrical content. In small doses, it may have worked fine as a supplementary effect on the gritty, industrial scenery they’re surrounded by, but unfortunately its extended use only serves to dilute that more fitting scenescape.
Disappointing video, but the audio has enough quality to survive. Grab that here if you haven’t already.
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It’s unusual when you can’t pinpoint an exact formula, yet anything these two do at the moment seems like they are pushing the envelope. The latest drop from Hell: The Sequel has Mr Porter behind the boards crafting a pulsating backdrop for Em and Royce to go back and forth, and whilst it takes a while for each emcee to get into things on this one, when they really decide to turn it on their long-rooted chemistry is evident as they weave in and out, almost toying with the bars Mr Porter delivers to them.
Probably not as enjoyable as the previous leak, but June 14th is the day hip-hop stands still in awe.
Bad Meets Evil-I’m On Everything
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There we have it. June 14th Em and Royce hook up for the seriously long-anticipated Bad Meets Evil EP Hell: The Sequel.
The cover itself is actually pretty awesome and cleverly thought-out, for I had feared it would be some bundled together effort as Eminem races around trying to dominate 2011. The concept of them both sat on speakers with scattered records around mimics that of a graveyard tying in with the title and hopefully the dark, hardcore content which we will see on the EP itself.
Get the first single Fast Lane from Hell: The Sequel here.
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Couple days ago we heard that first drop from Royce and Eminem’s upcoming Bad Meets Evil EP. Having liked what we heard, here’s a little more to keep that appetite nice and moist.
MTV caught up with the numerous producers involved in the project (Havoc, Mr Porter, DJ Khalil and Bangladesh) with each giving you their own little insight into what to expect.
All I’m going to say is:
Havoc: “It sounds like you going down a dark hall with a whole bunch of monks just screaming at you.”
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It’s been in excess of a month since I last put fingers to keys (on here at least, I’ve still managed to churn out hip-hop randomness on my Twitter) so forgive me for any evident rustiness. Regardless, a joint like this speaks for itself and thus renders my job here today somewhat easier.
So Eminem and Royce recently announced that the long-awaited and anticipated Bad Meets Evil EP was finally on the horizon for June sometime. Fast Lane forms the first drop from the EP and serves up a healthy dose of what we all expected: razor-sharp, tongue-twisting, triple-time lyricism from two emcee’s back on top, trading bars back and forth like it’s 1999 all over. Now y’all can’t hate on that.
Bad Meets Evil (Eminem & Royce Da 5’9″)-Fast Lane
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