Childish Gambino-Melrose

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Because the Internet is rumoured to land on 10th December, and though this track was only released as part of a tweet to Jhene Aiko (who, contrary to semi-accepted belief, is not romantically involved with Gambino), it’s probably fair to accept it’ll land on the album given that it’s potentially only a month away.

Compared to recent releases (and arguably anything since Camp), it’s much lighter and soulful in nature, featuring Gambino exclusively singing throughout over a melancholy production. A lot of the longtime Gambino fans will be quite pleased to hear this, as it’s much closer to his early work and a departure from the harsher style Royalty came with (and arguably didn’t really succeed with). The production begins with sombre piano notes, before involving a strong percussion line and a little more melody to thicken up the backdrop, and eventually throwing forth a synth-driven, comparatively cacophonous final third. It’s good progression throughout, and despite that last third being far livelier than the first third, it still maintains an air of reflectiveness, which matches up to the desperate, lonely vocals that Gambino delivers throughout. There isn’t much variety vocally, as it’s essentially just Gambino crooning out a hook and a couple of adlibs, but that simplicity works quite well here in synergising with the production to create an atmospheric, introspective vibe, and deliver what is a fairly likeable effort.

Childish Gambino-Melrose

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