Considering the talent involved, this is disappointing. The production lacks any real urgency and instead sticks to Rick Ross’ perennial backup choice of a slowed-down, faux-regal style, if option A of an ominous Luger-esque beat isn’t available. It was great back in 2009, but now is every bit as repetitive as option A, and featured guests of this magnitude should surely be looking for something more unique and impactful. Dre’s contribution (which must be written by Ross) is OK enough, though the highlight of the track is certainly Jay’s closing verse, with plenty of nice reference points (including his daughter and the Brooklyn Nets) making for a more striking verse than the others. It’s not enough to recover the track though, and this should have been much more than it was.